It still exudes moments of menace but is more of a light touch on proceedings. And more of a comical nature than the rest of the score. And that pretty much spells out the music we get of the character on the soundtrack. And the track slips away with an ominous and sad feeling tinged to it.īefore we even sit down for the film, we know that Colin Farrell’s version of The Penguin isn’t in it for that much. Following this, we have Catwoman’s theme before those violins screech once more. One minute a dark and heavy blast of The Batman theme, followed by moments of lightness. Is this a hint as to Catwoman’s fate in the film? Or could it signify her escape from the Dark Knight’s clutches? Who knows. But it cut off in its prime by having those screeching violins return. In the track ‘A Bat In The Rafters Pt.2’, we get such an entwinement. Pictures release.Īnother thing that is striking about the score is the entwinement at times of both Batman’s and Catwoman’s themes. Pictures’ action adventure “THE BATMAN,” a Warner Bros. (L-r) ROBERT PATTINSON as Batman and ZOË KRAVITZ as Selina Kyle in Warner Bros. But the music gives us a powerful warning that he’s planning something terrible. Or where he will lead us to by the finale. We can only guess as to his true motives. This is an evil and vicious psychopath that is on the loose. The hints of menace that exude from the parts of the score where his theme plays give us a chill down the spine. And at some points, It sounds reminiscent of The Joker’s theme from ‘The Dark Knight.’ The violins on occasion screech out from the speakers, letting us know that the villain isn’t to be messed with. The Riddler’s theme is heard at various points during the score. But the score is more than that, in every sense of the word. And sometimes we get that all-important shiver down the spine when it plays. The theme for ‘The Batman’ is at play quite a lot during proceedings. Dark, brooding with a few high spots along the way, it is sublime. But what Michael Giacchino didn’t tell us is that his score would be everything we could hope for. And we have quizzed ourselves regarding The Riddler’s theme. We have slinked alongside the Catwoman theme. We have all heard the theme for our hero. I’m happy to report that the score is AMAZING! And I don’t use that term lightly. But what of Michael Giacchino‘s score for the film? After the release of three pieces of music from the soundtrack, could the rest of the score match up? Will it be a classic score for a Batman film? Or will it be a damp squib, ready to be swatted like a…well, bat? The review embargo ends on Monday but until then, we have seen what appears to be critical praise for the film. We have been waiting for the film to emerge from the Batcave and the darkness for a while now. It is exactly one week until Matt Reeves’ ‘The Batman’ is finally unleashed upon the world. Prepare to be taken into the darkness by Michael Giacchino’s incredible score from The Batman
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